Matthew Hindson

Premiere recording of “The Metallic Violins”

Matthew Hindson — Mon, 08 Feb 2010 07:44:22 +0000

That admirable bastion of the Australian recording industry, Tall Poppies, has recently released a disc entitled The Metallic Violins, which opens with my piece for two violins, The Metallic Violins.

This disc is amazingly good. The standard of performance by Natsuko Yoshimoto and James Cuddeford is off the charts. The recording quality is beautiful. The choice of works is exemplary, with a range of compositional styles very well represented. And every one of the works is outstanding in terms of its quality.

Here is a 3 minute excerpt from the opening of the work:

How lucky we are as composers to have performers and a recording company of this quality to represent our music. Thank you to founder of Tall Poppies, Belinda Webster.

New piece for Double Bass and strings

Matthew Hindson — Mon, 25 Jan 2010 03:24:43 +0000

A new work, Crime and Punishment has recently been completed. This 10 minute piece was commissioned by Barbara Blackman for the Australian Chamber Orchestra, with soloist, Maxime Bibeau. It will be performed in March across the country.

It has been an enormous pleasure to work with Maxime on what is a very virtuosic piece. It includes techniques from the electric bass world, including slap-pizz and dead-notes, combined with some extraordinary lyrical moments. Maxime is a wonderful player who has contributed enormously to the piece.

Below are the programme notes:

Much of contemporary media seems obsessed with crime and punishment. This particularly applies to dramatic action on TV, film and video games. In reality being a victim of such crime is never a pleasant experience, and society rightfully expects that the perpetrators of violent crimes are made to pay for their actions. We, the public, demand justice be delivered in one for or another.

In relating these concepts to this musical work. the solo double bass largely assumes the role of the criminal. This repeat offender demonstrates great virtuosity and skill within an often menacing environment. Yet it is capable of tenderness and beauty, even when surrounded by brutality. Even as a child it was loved by someone.

It is not my intention to glamorise criminal intent – in fact, quite the opposite. As will become quite apparent, perhaps the solo double bass part, with its extremely strenuous demands upon the soloist, is a form of punishment in itself. The string orchestra ‘chorus’ demands nothing less.

Premiere recording of “Nintendo Music”

Matthew Hindson — Tue, 10 Nov 2009 03:58:23 +0000

Nintendo Music, for clarinet in A and piano, has recently been recorded by Marcel Luxen (clarinet) and Shane Thio (piano).

For a sneak peak check out Marcel’s site at http://www.marcelluxen.com/live/ and click on the Listen tag at the bottom of the image on the new page.

Marcel Luxen's CD 'North Sound East West' containing Nintendo Music

It’s a wonderful recording and captures the joy of 8 bit gaming very well. I am told by other clarinettists that successfully performing some of this piece is as difficult as beating Battletoads, so this fabulous recording is a great achievement.

Great reviews continue for e=mc2

Matthew Hindson — Sat, 10 Oct 2009 00:42:14 +0000

UPDATE 1: e=mc2 has won a prestigious 2010 South Bank Show Award for Dance.

UPDATE 2: e=mc2 has been nominated for a 2010 Laurence Olivier Award for Best New Dance Production.

Great reviews are continuing to pour in for the recent ballet, e=mc2. A collation of reviews can be found at the following address:

http://www.fabermusic.com/serverside/news/Details.asp?id=502

Some of them are very nice indeed:

“…one of the best pieces of new dance music this side of Stravinsky.” – Sunday Express (Jeffery Taylor), 27 September 2009

Photo: Bill Cooper.

It was such a pleasure to work with choreographer David Bintley, conductor Paul Murphy and the rest of the Birmingham Royal Ballet (including the orchestra) on this piece. What an amazing experience to have a choreographer who so intimately responded to the music, and a conductor who was so committed to ensuring that the piece as a whole worked so very well.

There are forthcoming performances in Plymouth, Sunderland and London (Sadlers Wells). I may be biased but I reckon it’s well worth seeing.

New work for Southern Cross Soloists

Matthew Hindson — Sun, 04 Oct 2009 20:36:51 +0000

I have very recently completed a new work for the outstanding Australian ensemble, Southern Cross Soloists, featuring Jack Liebeck (pictured below). The piece is entitled “Central Australian Song”, and is based upon issues of nuclear testing in Australia. (Note: this title is not up to my usual standard – suggestions welcomed.)

If you are in Sydney, you can catch the concert on 10 October, 8pm, at the Independent Theatre in North Sydney.

e=mc2

Matthew Hindson — Thu, 24 Sep 2009 00:30:46 +0000

Tonight marks the premiere of the ballet score e=mc2, commissioned by the Birmingham Royal Ballet, as part of their Quantum Leaps programme. The premiere is 24 September 2009 at the Birmingham Hippodrome, conducted by Paul Murphy.

The piece is constructed as a symphony in four movements: Energy, Mass (Einstein), Manhattan Project and Speed of Light Squared (Constant).

It has been a great pleasure to work on this piece with choreographer David Bintley. His piece is thoroughly engaging, moving and extremely impressive.

Appointment to the Australia Council

Matthew Hindson — Wed, 13 May 2009 17:27:24 +0000

It is a great pleasure to have been appointed recently as the Chair of the Music Board of the Australia Council.

Through this I do hope to make a contribution to the ongoing cultural life of Australia through music.

New recording of Night Pieces

Matthew Hindson — Sat, 04 Apr 2009 02:39:00 +0000

Tall Poppies has released a CD of Australian music for oboe and piano entitled Bright Vessel. Performed by oboist Stephen Robinson with Elyane Laussade, this disc includes the premiere recording of Night Pieces for oboe and piano.

Two new violin works

Matthew Hindson — Tue, 17 Feb 2009 02:11:49 +0000

Two works for violin and piano have recently been completed.

The first of these is the Violin Concertino: Summer Stories. This work was commissioned by Michael Patterson and Ars Musica Australis. Mike Patterson particularly wanted a work in which the solo violin part was not too difficult – that is, it would be playable by violinists of standard between Grades 7 and A.Mus.A. AMEB levels. The work is subtitled “Summer Stories” because each of its three movements relates in some way to an aspect of summer.
The second new work for violin and piano is Maralinga. Maralinga is a place in the South Australian desert, and was the site for secret British nuclear testing in the 1950s and 1960s. Not a happy place in Australian history for either the Aboriginal inhabitants of the area, nor the Australian service personnel who were unwittingly used as guinea pigs for the effects of radiation.

Maralinga was written for Lara St. John, who will premiere the piece on 20 March, 2009. It was commissioned by the Wolf Trap Foundation for the Performing Arts.

Kalkadunga at G’Day USA 2009

Matthew Hindson — Tue, 17 Feb 2009 01:54:02 +0000

The final movement of the Kalkadungu (co-composed by and featuring didjeridu virtuoso William Barton) was performed recently as part of the 2009 G’Day USA celebration concerts in Royce Hall, LA and Carnegie Hall, NY.

The performers were William Barton and the Adelaide Symphony Orchestra, conducted by Arvo Volmer.

The concerts were favourably reviewed, including by the LA Times.